Category conceptual art
The photos in this post come from January 1, 2020, the last time I visited Elliott Kayser’s eight ceramic pigs along the Rose Kennedy Greenway. They had kept their stations well for almost a year. Now that the Year of the Pig is almost over they are gone!
From a very informative Greenway blog post, I have learned that five of the pigs have moved on to the Fuller Craft Museum in Brockton. Chiefly the blog post clearly tells a story with great photos of ten steps involved in creating the pigs. If you wondered about the origins or future of these sculptures, about 250 pounds each, read that blog post.
I visited Alicja Kwade’s TunnelTeller at Castle Hill in Ipswich in mid-November and hope to do so a few more times before it goes on April Fools’ Day! This post shows my photos of Kwade’s impressive work , including outdoor art at MIT. It provides links to more persuasive photos and information. I’m posting now so local friends and colleagues can plan to go before Kwade’s art has gone.
In May 2017, Jessie Unterhalter and Katey Truhn incorporated every outer inch of a building, including roof, steps, and chimneys into a colorful commanding work of art. They responded inventively to the dimensions and angles of the space; they chose challenging materials as well. More than two years later their installation still stands out and draws us in.
Ways to Witness Earth Press Project: WITNESS in the next few weeks: 1. Visit the real installation before November, 2. Visit Nancy Winship Milliken Studio website. 3. Visit NPS website for Minute Man National Historical Park. 4. Visit website for the Umbrella, Arts and Environment. Any or all of the above will give you a sense of the complicated steps, interactions, and connections within a seemingly simple structure.
I had wavered about including Denise Kupferschmidt on my list of women artists represented on Public Art Walk Boston after I read that “a group of assistants executed this piece, guided by precise written instructions and diagrams from LeWitt.” Yet I came to understand that each artist on the team to carry out a wall drawing could contribute uniquely within LeWitt’s guidelines. More important, as I began to learn about Denise Kupferschmidt’s art, I truly wanted to share what she has shown!