Category Contemporary Sculpture
Temporary Art Takes in the Expected Effects of Time and Weather After posting about two temporary art installations, “Ripple” and “Current,” in early autumn, I planned to revisit them at least once each month to see how they would survive seasonal changes. I did not know then how compelling both would prove to be, far beyond just curiosity. […]
Cambridge Common seemed to me a public space of few surprises until a few months ago. Then suddenly it became a place to spark inspiring statements by holding hands, to select story performances from a food truck, to share the seat of a gigantic chair, and to join an eyes-closed tour led by a blind artist. Those were just some of the experiences offered through Common Exchange*, with ongoing installations and scheduled events from May through September 2017.
Enlightened and excited by both artists’ presentations on September 26, I ‘m posting quickly now, just in case you can plan to go before their temporary exhibits vanish October 7 (Reigelman) and October 8 (James). Later on, I hope to share our perspectives in the interactive spirit of these engaging forms of art outdoors.
This post shares my impressions from the Thirteenth Annual Honor Program at the Garden of Peace: a Memorial to Victims of Homicide. It follows from a July post with background about the Garden and the two women artists, Judy Kensley McKie and Catherine Melina.
A blog called Art Outdoors cries out for posts about Storm King Art Center, a grand-scale sculpture park. Finally, I feel ready to respond, with a few starting notes, photos, and links.
Planned by landscape architect Catherine Melina and sculptor Judy Kensley McKie, this memorial to victims of homicide provides a pathway and suggests a journey.
In connection with the exhibition Expanding Abstraction at the deCordova Museum (April 7—September 17, 2017) the museum’s Process Gallery highlights the art of Ursula von Rydingsvard and other women artists with work in deCordova Sculpture Park. I’m posting now to extend the connection to a recent monumental sculpture by Ursula von Rydingsvard at MIT.