Walking to my nearby Porter Square and a bit beyond in Cambridge, I visited murals that show elements of history in ways that suit this artform. You can learn and sense a lot about earlier centuries in Porter Square by walking the block that contains three related murals. You can take in the impact and origins of a significant statesman’s life by standing in the presence of the Tip O’Neill mural in North Cambridge.
This is my third post about these two artworks, though I have visited almost monthly and would gladly visit more often as local runners, walkers, and bikers likely do. This post simply offers my recent photos (May 31, June 9, 2018) with ever-growing appreciation of what trees and artists can do together.
Lilli Ann Killen Rosenberg (1924–2011) initiated memorably collaborative community art projects wherever she went throughout her working life. From the Henry Street Settlement in New York City to numerous sites in the Boston area and then others in southern Oregon, she engaged children and adults in creating responsive public art. This post offers images from Boston sites I have visited and quotes or links that motivate me to visit many more.
Temporary Art Takes in the Expected Effects of Time and Weather After posting about two temporary art installations, “Ripple” and “Current,” in early autumn, I planned to revisit them at least once each month to see how they would survive seasonal changes. I did not know then how compelling both would prove to be, far beyond just curiosity. […]
Yet again the goal to post about women artists with work on Boston Public Art Walk has led me to suddenly see what’s been in plain sight so long, in this case since 1985. That year Kate K. Burke and Gregg LeFevre inlaid more than one hundred bronze relief tablets throughout the brick walkway of one historic lane in downtown Boston.