I visited Alicja Kwade’s TunnelTeller at Castle Hill in Ipswich in mid-November and hope to do so a few more times before it goes on April Fools’ Day! This post shows my photos of Kwade’s impressive work , including outdoor art at MIT. It provides links to more persuasive photos and information. I’m posting now so local friends and colleagues can plan to go before Kwade’s art has gone.
Ways to Witness Earth Press Project: WITNESS in the next few weeks: 1. Visit the real installation before November, 2. Visit Nancy Winship Milliken Studio website. 3. Visit NPS website for Minute Man National Historical Park. 4. Visit website for the Umbrella, Arts and Environment. Any or all of the above will give you a sense of the complicated steps, interactions, and connections within a seemingly simple structure.
Yet again I feel compelled to post without the revisiting, rereading, and rethinking I like to do before pushing the Publish button on this Wordpress site. George Sherwood’s kinetic sculpture exhibit Wind, Waves & Light, Art in Motion, will end on October 14, 2019. Tower Hill Botanic Garden will continue and develop through the years ahead. I certainly want to see more of both, but first I must urge as many people as possible to plan to go before the sculptures leave.
The more I learn about sculpture by Katharine Lane Weems (1898 — 1989), the more I admire the art, the artist and the animals. An earlier post about two rhinos, Bess and Victoria, installed 1937 in Cambridge led me on to sites in Boston with work by this artist “famous for her realistic portrayals of animals.” Her art combined scientific accuracy, meticulous renderings, and creative design to bring out the animals’ majesty and character. This post notes four places in Boston to be in the presence of her elegant animals.
Eight lifelike, life-size terra cotta pigs, each representing a different native pig breed in China, have settled along the Greenway. Guided by a map, I found each one, informatively labeled, between the North End and Chinatown. I hope to keep visiting them as seasons change their surroundings and their interactions with people. “The year […]
Cambridge Common seemed to me a public space of few surprises until a few months ago. Then suddenly it became a place to spark inspiring statements by holding hands, to select story performances from a food truck, to share the seat of a gigantic chair, and to join an eyes-closed tour led by a blind artist. Those were just some of the experiences offered through Common Exchange*, with ongoing installations and scheduled events from May through September 2017.
This Thanksgiving I give thanks to Mary Frank because she makes me keep thinking about art, including hers. She makes me want to give time to the surprising, sustaining gifts of art. She makes me want to share my view of what an artist like Mary Frank has done and can do. For now I’ll share […]
Both historic sites have formal gardens as well as multiple inspiring, flexible woodland areas where artists or curators chose to temporarily place their 21st-century art.