At the end of my self-assigned project of posting about women artists on Public Art Walk, I began to wonder how I could better share the fascinating discoveries that came from it. After listing the artists and my posts on a blog page last month, I wished for some ways to convey what I had learned beyond my own small base of friends, colleagues, and family. Now two organizations are doing what I wished for.
Making my way through the list of twenty-two women artists represented on Boston Public Art Walk, I’ve grown more aware of how pivotal Nancy Schön has been to my own interest in public art. …Through the years I’ve watched or joined with adults and children of all ages interacting happily with distinctive animal characters from Make Way for Ducklings written and illustrated by Robert McCloskey, published 1941.
Enlightened and excited by both artists’ presentations on September 26, I ‘m posting quickly now, just in case you can plan to go before their temporary exhibits vanish October 7 (Reigelman) and October 8 (James). Later on, I hope to share our perspectives in the interactive spirit of these engaging forms of art outdoors.
This post shares my impressions from the Thirteenth Annual Honor Program at the Garden of Peace: a Memorial to Victims of Homicide. It follows from a July post with background about the Garden and the two women artists, Judy Kensley McKie and Catherine Melina.
Planned by landscape architect Catherine Melina and sculptor Judy Kensley McKie, this memorial to victims of homicide provides a pathway and suggests a journey.
Lately I’ve been motivated by my goal to post about every woman artist with work on the Boston Public Art Walk before Women’s History Month next year. Sudden Presence is Beverly Pepper’s Cor-ten steel sculpture on that walk. Suddenly I saw how much I had been missing.