This is my temporary post, mainly to let people in the Boston area know that Steve Locke’s temporary art will be gone from the Gardner’s front facade after January 21, 2019. If you can pause in its presence before entering the museum and again after leaving, you can sense its strength as a memorial. Yet if you miss that opportunity, you can still connect the stories of how the memorial for Freddie Gray came to be.
This fall brought opportunities to see three new works of art, each with different scale and surface, but in the same distinct compelling style of one artist, James Weinberg. Plants, animals, and sky appear in all three, adapted to the materials and dimensions assigned to their creation. A large brick wall, a framed glass structure, and the paper pages of a picture book serve as stages for dynamic dramas.
After two visits in the past month, I hope to make many more in the three seasons ahead before Colony leaves its maple tree on the Minuteman Bikeway. The photos in this post are mine but the links below will lead to more varied and vivid ones, including the installation process. The quotes below also give background about Christopher Frost and will suggest why I have seized the opportunity to share my enthusiasm for his spirited splendid sculpture!
Installed on Harvard’s Science Center Plaza in October, David Buckley Borden’s artwork asks us to read, look, walk, sit, think and revisit until December 7.
“This educational installation is a co-creation of Harvard Forest Fellow David Buckley Borden and Harvard Forest Senior Ecologist Aaron M Ellison that combines art, environmental design, and science communication to convey global climate-change data and spur action on campus.” quote from description of their project on davidbuckleyborden.com
Artists Take on Time in Temporary Artworks: Stephanie Cardon with “UNLESS” and Liz Glynn with “Open House”
Here are two more art installations to get to know before they go! Both are projects of Now+There, related to their 2018 theme: Common Home. Both deal with issues of time, change, and public engagement. Yet they are different in scope, scale, and sensory experience. I plan to revisit and reflect but must now give you valuable links about them without further delay.
This post identifies what you need to find and/or find out about the five distinct but related fog sculptures now in Boston until October 31, 2018. My photos from visits to three of those sculptures remind me of how much can change from moment to moment and how far my images are from revealing the moving drama of the art.