Selected and funded by Percent-for-Art program in Cambridge, Monique Aimee proposed, planned, and painted her mural on all sides of the four tall brine tanks along the lot for Saint Peter’s Field. She began near the end of June and finished near the end of August. My photos here come from a few visits there throughout the summer. The links should take you to videos and exciting photos of the work in progress on Monique Aimee’s Instagram site: https://www.instagram.com/moniqueaimee/ The quotes here should give background that lets you visit in person or online.
Four distinctive paintings appeared on the bike path in Somerville and Cambridge this summer. None are signed but all contain the same heart emblem and related design elements. I post now to share these elegant images and to ask for help in identifying the artist(s), process and maybe more places to admire such alluring art.
Closed all spring 2020 like every school, Fletcher Maynard Academy in Cambridge continues to offer art that is open to public view. People can look up above the school’s doors at the corner of Broadway and Windsor Streets to marvel at the Mosaic Masterpieces created a year earlier by students with artists David Fichter, Liane Noddin, and art teacher Lolly Lincoln.
These three murals within three blocks of each other build on local history and also have histories of their own, revealed as I lately took time to look at them and look online about them. A great resource was Lisa Houck’s documenting of the processes and people involved in restoring her mural on her blog and website. I hope now that the other murals noted here can get similar support to regain clarity, color, and impact.
David Phillips is a sculptor; David Fichter is a muralist. With their distinctly different materials, both are masters of rendering historical figures and events. Both have created public art that is densely packed with researched images and documents. As public art, the expansive colorful mural and the tactile intimate bronze relief wait openly for anyone who wants to focus on some sign or scene and make their own associations.
In May 2017, Jessie Unterhalter and Katey Truhn incorporated every outer inch of a building, including roof, steps, and chimneys into a colorful commanding work of art. They responded inventively to the dimensions and angles of the space; they chose challenging materials as well. More than two years later their installation still stands out and draws us in.