This post identifies what you need to find and/or find out about the five distinct but related fog sculptures now in Boston until October 31, 2018. My photos from visits to three of those sculptures remind me of how much can change from moment to moment and how far my images are from revealing the moving drama of the art.
At the end of my self-assigned project of posting about women artists on Public Art Walk, I began to wonder how I could better share the fascinating discoveries that came from it. After listing the artists and my posts on a blog page last month, I wished for some ways to convey what I had learned beyond my own small base of friends, colleagues, and family. Now two organizations are doing what I wished for.
Art and Time on the Greenway: Year of the Dog, We the People II, Spaces of Hope, Balancing Act I and II
This final Friday in April, Greenway Art Ambassadors will lead a one-hour tour of phenomenal public art. The tour includes four engaging works of art, each within minutes of the next. All four are temporary; all four will likely be gone by next April, though new temporary art will take their places.
These current four have given me such valued visits, I’m hoping for still more time with each. I’m posting now to alert you to the tour before it’s over and to give basic background about the artists, their art and my appreciation of their time.
Lilli Ann Killen Rosenberg (1924–2011) initiated memorably collaborative community art projects wherever she went throughout her working life. From the Henry Street Settlement in New York City to numerous sites in the Boston area and then others in southern Oregon, she engaged children and adults in creating responsive public art. This post offers images from Boston sites I have visited and quotes or links that motivate me to visit many more.
Making my way through the list of twenty-two women artists represented on Boston Public Art Walk, I’ve grown more aware of how pivotal Nancy Schön has been to my own interest in public art. …Through the years I’ve watched or joined with adults and children of all ages interacting happily with distinctive animal characters from Make Way for Ducklings written and illustrated by Robert McCloskey, published 1941.
Make Eye Contact Many Times with “We the People II,” New Greenway Mural by Mia Cross in Boston near Chinatown
In October I had read about the Greenway mural in progress on the Lincoln Street Triangle. Fortunately, I got there while the artist Mia Carollo Cross and her father were about to finish up the month-long project in the last hour of good daylight! I spoke with Mia briefly about my interest in the process of creating murals and then began to photograph her, the materials, tools, and art.